{"id":10115,"date":"2025-10-13T18:01:58","date_gmt":"2025-10-13T16:01:58","guid":{"rendered":"https:\/\/centrestagemanagement.com\/?p=10115"},"modified":"2025-10-13T18:02:24","modified_gmt":"2025-10-13T16:02:24","slug":"emily-dangelo-sangerin-des-jahres-bei-opus-klassik-2025","status":"publish","type":"post","link":"https:\/\/centrestagemanagement.com\/en\/news\/emily-dangelo\/emily-dangelo-sangerin-des-jahres-bei-opus-klassik-2025\/","title":{"rendered":"Emily D\u2019Angelo: Female Singer of the Year at OPUS KLASSIK 2025"},"content":{"rendered":"<p>Mezzo-soprano Emily D\u2019Angelo has been named Female Singer of the Year at the OPUS KLASSIK 2025 Awards, held on October 12 at the Konzerthaus Berlin. She received the honor for her acclaimed second solo album on Deutsche Grammophon, <a href=\"https:\/\/www.deutschegrammophon.com\/en\/catalogue\/products\/freezing-emily-dangelo-13563\"><strong><em>freezing<\/em><\/strong><\/a> \u2013 a visionary program that interlaces music spanning five centuries, from Henry Purcell to today\u2019s contemporary composers, in a richly atmospheric and cohesive sound world. During the ceremony, D\u2019Angelo captivated the audience with a newly arranged orchestral medley of Wild Mountain Thyme and O Love Is Teasing.<\/p>\n<p>The OPUS KLASSIK is Germany\u2019s most prestigious classical music award, recognizing exceptional artistry and achievement in performance and recording. Presented by the Verein zur F\u00f6rderung der Klassischen Musik e.V. (Society for the Promotion of Classical Music), the awards honor artists across 30 categories, as selected by a distinguished panel of industry experts.<\/p>\n<p>For more information on the OPUS KLASSIK Awards, please <a href=\"https:\/\/www.opusklassik.de\/home-english\"><strong>visit<\/strong><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Mezzo-soprano Emily D\u2019Angelo has been named Female Singer of the Year at the OPUS KLASSIK 2025 Awards, held on October 12 at the Konzerthaus Berlin. She received the honor for her acclaimed second solo album on Deutsche Grammophon, freezing \u2013 a visionary program that interlaces music spanning five centuries, from Henry Purcell to today\u2019s contemporary [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":10116,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[25],"tags":[],"class_list":["post-10115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-emily-dangelo"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/10115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=10115"}],"version-history":[{"count":1,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/10115\/revisions"}],"predecessor-version":[{"id":10117,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/10115\/revisions\/10117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/10116"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=10115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=10115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=10115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}