{"id":12644,"date":"2026-08-11T09:42:20","date_gmt":"2026-08-11T07:42:20","guid":{"rendered":"https:\/\/centrestagemanagement.com\/?p=12644"},"modified":"2026-08-11T09:42:20","modified_gmt":"2026-08-11T07:42:20","slug":"keri-lynn-wilson-invincible-tour-2026-des-ukrainian-freedom-orchestra","status":"publish","type":"post","link":"https:\/\/centrestagemanagement.com\/en\/news\/keri-lynn-wilson\/keri-lynn-wilson-invincible-tour-2026-des-ukrainian-freedom-orchestra\/","title":{"rendered":"Keri-Lynn Wilson: Ukrainian Freedom Orchestra Invincible Tour 2026"},"content":{"rendered":"<p>Conductor Keri-Lynn Wilson leads the Ukrainian Freedom Orchestra on this year\u2019s Summer Tour, the 2026 Invincible Tour, performing across Europe and the United States from 16\u201326 August 2026.<br \/>\nThe tour will visit seven major venues:<br \/>\n\u2022 16 August \u2013 Teatr Wielki, Warsaw<br \/>\n\u2022 18 August \u2013 St. Paul&#8217;s Cathedral, London<br \/>\n\u2022 19 August \u2013 Concertgebouw, Amsterdam<br \/>\n\u2022 20 August \u2013 Elbphilharmonie, Hamburg<br \/>\n\u2022 22 August \u2013 National Concert Hall, Dublin<br \/>\n\u2022 25 &amp; 26 August \u2013 David Geffen Hall, Lincoln Center, New York<br \/>\nThe programme is centered around two landmark works: Beethoven&#8217;s Symphony No. 7 and Verdi&#8217;s Requiem, performed with acclaimed soloists Ailyn P\u00e9rez, Natalie Lewis, Ren\u00e9 Barbera, and Soloman Howard.<br \/>\nThe tour also features special performances including Strauss&#8217;s Four Last Songs with Lise Davidsen, Mahler&#8217;s R\u00fcckert-Lieder with Julia Kleiter, and the return of Maxim Kolomiiets&#8217;s Suite from The Mothers of Kherson, following its acclaimed 2025 premiere.<\/p>\n<p>For more information please click <a href=\"https:\/\/www.ukrainianfreedomorchestra.org\/tour\"><strong>here<\/strong><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Conductor Keri-Lynn Wilson leads the Ukrainian Freedom Orchestra on this year\u2019s Summer Tour, the 2026 Invincible Tour, performing across Europe and the United States from 16\u201326 August 2026.<br \/>\nThe tour will visit seven major venues:<br \/>\n\u2022 16 August \u2013 Teatr Wielki, Warsaw<br \/>\n\u2022 18 August \u2013 St. Paul&#8217;s Cathedral, London<br \/>\n\u2022 19 August \u2013 Concertgebouw, Amsterdam<br \/>\n\u2022 20 August \u2013 Elbphilharmonie, Hamburg<br \/>\n\u2022 22 August \u2013 National Concert Hall, Dublin<br \/>\n\u2022 25 &#038; 26 August \u2013 David Geffen Hall, Lincoln Center, New York<br \/>\nThe programme is centered around two landmark works: Beethoven&#8217;s Symphony No. 7 and Verdi&#8217;s Requiem, performed with acclaimed soloists Ailyn P\u00e9rez, Natalie Lewis, Ren\u00e9 Barbera, and Soloman Howard.<br \/>\nThe tour also features special performances including Strauss&#8217;s Four Last Songs with Lise Davidsen, Mahler&#8217;s R\u00fcckert-Lieder with Julia Kleiter, and the return of Maxim Kolomiiets&#8217;s Suite from The Mothers of Kherson, following its acclaimed 2025 premiere.<\/p>\n","protected":false},"author":4,"featured_media":12648,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50],"tags":[],"class_list":["post-12644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-keri-lynn-wilson"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/12644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=12644"}],"version-history":[{"count":1,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/12644\/revisions"}],"predecessor-version":[{"id":12647,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/12644\/revisions\/12647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/12648"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=12644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=12644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=12644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}