{"id":1810,"date":"2022-08-05T16:40:31","date_gmt":"2022-08-05T14:40:31","guid":{"rendered":"https:\/\/centrestagemanagement.com\/?p=1810"},"modified":"2022-08-05T16:40:31","modified_gmt":"2022-08-05T14:40:31","slug":"gidon-saks-willkommen-bei-csam","status":"publish","type":"post","link":"https:\/\/centrestagemanagement.com\/en\/news\/gidon-saks\/gidon-saks-willkommen-bei-csam\/","title":{"rendered":"Gidon Saks: Welcome to CSAM!"},"content":{"rendered":"<p>Praised for his \u201cfierce, emotionally ripe performances\u201d (Financial Times), which offer a \u201cwealth of nuance\u201d (Opera), Gidon Saks is renowned for his interpretations of the dramatic bass-baritone repertoire. His signature roles include Bluebeard <em>(<strong>Bluebeard&#8217;s Castle<\/strong>),<\/em> Nick Shadow <em>(<strong>The Rake\u2019s Progress<\/strong>), <\/em>Claggart <em>(<strong>Billy Budd<\/strong>)<\/em>, Kaspar (<strong><em>Der Freisch\u00fctz<\/em><\/strong>), Don Pizarro (<strong><em>Fidelio<\/em><\/strong>) and Scarpia (<strong><em>Tosca<\/em><\/strong>). He is a regular guest at many of the world\u2019s most prestigious opera houses including Deutsche Oper Berlin, Festival d&#8217;Aix-en-Provence, Komische Oper Berlin, Op\u00e9ra National de Paris, Bergen National Opera, Washington National Opera and Teatro La Fenice. In the 2022\/23 season, Saks takes part in a world premiere of Salvatore Sciarrino\u2019s opera <strong><em>Venere e Adone<\/em><\/strong> at Hamburg State Opera.<\/p>","protected":false},"excerpt":{"rendered":"<p>Praised for his \u201cfierce, emotionally ripe performances\u201d (Financial Times), which offer a \u201cwealth of nuance\u201d (Opera), Gidon Saks is renowned for his interpretations of the dramatic bass-baritone repertoire. His signature roles include Bluebeard (Bluebeard&#8217;s Castle), Nick Shadow (The Rake\u2019s Progress), Claggart (Billy Budd), Kaspar (Der Freisch\u00fctz), Don Pizarro (Fidelio) and Scarpia (Tosca). He is a [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[54],"tags":[],"class_list":["post-1810","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gidon-saks"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/1810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=1810"}],"version-history":[{"count":1,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/1810\/revisions"}],"predecessor-version":[{"id":1811,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/1810\/revisions\/1811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/1806"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=1810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=1810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=1810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}