{"id":1941,"date":"2022-09-23T13:56:23","date_gmt":"2022-09-23T11:56:23","guid":{"rendered":"https:\/\/centrestagemanagement.com\/?p=1941"},"modified":"2022-09-23T13:56:23","modified_gmt":"2022-09-23T11:56:23","slug":"sondra-radvanovsky-medea-an-der-metropolitan-opera","status":"publish","type":"post","link":"https:\/\/centrestagemanagement.com\/en\/allgemein\/sondra-radvanovsky-medea-an-der-metropolitan-opera\/","title":{"rendered":"Sondra Radvanovsky: Medea at the Metropolitan Opera"},"content":{"rendered":"

Sondra Radvanovsky stars as the mythic sorceress at the Met-premiere production of Cherubini\u2019s rarely performed masterpiece Medea, directed by David McVicar. Joining Sondra Radvanovsky is tenor Matthew Polenzani as Medea\u2019s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea\u2019s confidante, Neris. This opera production will also be part of the Met\u2019s award-winning Live in HD series. The soprano can be seen and heard on September 27 and on October 01, 05, 08, 13, 18, 22 & 28.<\/p>\n

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For more information click\u00a0here<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Sondra Radvanovsky stars as the mythic sorceress at the Met-premiere production of Cherubini\u2019s rarely performed masterpiece Medea, directed by David McVicar. Joining Sondra Radvanovsky is tenor Matthew Polenzani as Medea\u2019s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea\u2019s confidante, Neris. This opera production will also be part of the Met\u2019s award-winning Live in HD series. The soprano can be seen and heard on September 27 and on October 01, 05, 08, 13, 18, 22 & 28.<\/p>\n","protected":false},"author":4,"featured_media":838,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1941","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/1941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=1941"}],"version-history":[{"count":2,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/1941\/revisions"}],"predecessor-version":[{"id":1943,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/1941\/revisions\/1943"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/838"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=1941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=1941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=1941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}