{"id":2537,"date":"2023-03-29T14:22:23","date_gmt":"2023-03-29T12:22:23","guid":{"rendered":"https:\/\/centrestagemanagement.com\/?p=2537"},"modified":"2025-09-04T10:38:06","modified_gmt":"2025-09-04T08:38:06","slug":"theodore-platt-die-frau-ohne-schatten-mit-den-berliner-philharmonikern-und-kirill-petrenko-in-baden-baden-und-berlin","status":"publish","type":"post","link":"https:\/\/centrestagemanagement.com\/en\/allgemein\/theodore-platt-die-frau-ohne-schatten-mit-den-berliner-philharmonikern-und-kirill-petrenko-in-baden-baden-und-berlin\/","title":{"rendered":"Theodore Platt: Die Frau ohne Schatten with Berliner Philharmoniker and Kirill Petrenko in Baden-Baden and Berlin"},"content":{"rendered":"<p>Theodore Platt gives his debut at the Baden-Baden Easter Festival together with Berliner Philharmoniker and under the baton of chief conductor Kirill Petrenko. The baritone can be heard in Strauss&#8217; Die Frau ohne Schatten. The new production by the US director Lydia Steier opens the Baden-Baden Easter Festival on 1 April, with further performances on 5 &amp; 9 April. Platt can also be seen in a concert performance of the opera in the Berlin Philharmonie on 14 April.<\/p>\n<p>&nbsp;<\/p>\n<p>For more information please click\u00a0<a href=\"https:\/\/www.festspielhaus.de\/veranstaltungen\/strauss-die-frau-ohne-schatten\"><strong>here<\/strong> <\/a>and <strong><a href=\"https:\/\/www.berliner-philharmoniker.de\/konzerte\/kalender\/details\/54505\/\">here<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Theodore Platt gives his debut at the Baden-Baden Easter Festival together with Berliner Philharmoniker and under the baton of chief conductor Kirill Petrenko. The baritone takes on the role of night watchman in Strauss&#8217; Die Frau ohne Schatten. The new production by the US director Lydia Steier opens the Baden-Baden Easter Festival on 1 April, with further performances on 5 &#038; 9 April. Platt can also be seen in a concert performance of the opera in the Berlin Philharmonie on 14 April.<\/p>\n","protected":false},"author":4,"featured_media":2539,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[40,1],"tags":[],"class_list":["post-2537","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theodore-platt","category-allgemein"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/2537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=2537"}],"version-history":[{"count":2,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/2537\/revisions"}],"predecessor-version":[{"id":9752,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/2537\/revisions\/9752"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/2539"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=2537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=2537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=2537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}