Olga Peretyatko is one of the world\u2019s most sought-after sopranos. She achieved her international breakthrough in 2007 when she won second prize at Pl\u00e1cido Domingo\u2019s Operalia Competition. Since then, she has appeared at leading opera houses including the Metropolitan Opera, Covent Garden, La Scala, the Vienna State Opera, the Berlin State Opera, Teatro Real Madrid, the Gran Teatre del Liceu Barcelona, and the Op\u00e9ra Bastille Paris, as well as at renowned festivals in Salzburg, Baden-Baden, Aix-en-Provence, and Pesaro. In 2025, she was awarded the European Culture Prize in recognition of her outstanding artistic achievements.<\/p>\n
The 2026\/27 season sees Olga Peretyatko return to La Scala as Le\u00efla in Bizet\u2019s Les P\u00eacheurs de perles<\/em><\/strong>. At the Deutsche Oper Berlin, she appears as Donna Anna in Mozart\u2019s Don Giovanni<\/em><\/strong>, and she sings Violetta in Verdi\u2019s La traviata<\/em><\/strong> at the Korea National Opera in Seoul. At the Philharmonie de Paris, she performs Leonora in a concert presentation of Verdi\u2019s Il trovatore<\/em> <\/strong>with Le Cercle de l\u2019Harmonie under J\u00e9r\u00e9mie Rhorer. On the concert stage, she joins the City of Birmingham Symphony Orchestra under Kazuki Yamada for Britten\u2019s War Requiem<\/em><\/strong> at Coventry Cathedral, Bozar in Brussels, the Philharmonie Luxembourg and KKL Lucerne. Further highlights include Orff\u2019s Carmina Burana<\/em><\/strong> with the Neue Philharmonie Westfalen under Andreas Klippert at the Philharmonie Essen, a return to Bucharest for Rachmaninoff\u2019s The Bells<\/em><\/strong>, and a solo recital at Zurich Opera House.<\/p>\n With her distinctive voice and radiant stage presence, Olga Peretyatko masters a versatile repertoire ranging from humorous coloratura roles to intense dramatic parts. Recent role debuts include Giulia in Rossini\u2019s La scala di seta<\/em><\/strong>, Norma at the Hamburg State Opera, Mathilde in Rossini\u2019s Guillaume Tell<\/em> <\/strong>in Tokyo, Elettra in Mozart\u2019s Idomeneo<\/em><\/strong> at the Berlin State Opera, and Margherita in Gounod\u2019s Faust<\/em><\/strong> in Hamburg. Other signature roles include Violetta (La traviata<\/em><\/strong>), Gilda (Rigoletto<\/em><\/strong>), Fiorilla (Il turco in Italia<\/em><\/strong>), Leonora (Il trovatore<\/em><\/strong>), Countess Almaviva (Le nozze di Figaro<\/em><\/strong>), Donna Anna (Don Giovanni<\/em><\/strong>), Norina (Don Pasquale<\/em><\/strong>), and the title role in Anna Bolena<\/em><\/strong>. She has also performed Maria in Tchaikovsky\u2019s Mazeppa<\/em><\/strong> in Dmitri Tcherniakov\u2019s acclaimed production in Baden-Baden, portrayed Lucrezia Borgia<\/em><\/strong> in Bologna, and appeared as Li\u00f9 in Philipp St\u00f6lzl\u2019s Turandot<\/em> <\/strong>at the Berlin State Opera. Further successes include The Nightingale in Stravinsky\u2019s Le Rossignol<\/em><\/strong> (directed by Robert Lepage), Marfa in Dmitri Tcherniakov\u2019s The Tsar\u2019s Bride<\/em><\/strong> in Berlin and at La Scala, and Le\u00efla in Wim Wenders\u2019 production of Les P\u00eacheurs de perles<\/em><\/strong> under Daniel Barenboim.<\/p>\n As a celebrated concert singer, Olga Peretyatko regularly performs with renowned orchestras and conductors in prestigious concert halls worldwide, giving international song recitals. She sang Rachmaninoff\u2019s\u00a0The Bells<\/em><\/strong>\u00a0with the Orchestre de Paris at the Grande Salle Pierre Boulez in Paris, and presented a program with the Danish Chamber Orchestra under \u00c1d\u00e1m Fischer during the Mozart Week in Salzburg. She performed Strauss\u2019\u00a0Four Last Songs<\/em><\/strong>\u00a0at the Kennedy Center in Washington D.C. and on a China tour with the Orchestre Symphonique de Montr\u00e9al. In 2018, she celebrated her acclaimed solo recital debut at La Scala in Milan.<\/p>\n Olga Peretyatko has released six albums on Sony Classical and has received numerous prestigious awards, including the OPUS Klassik (2018), ECHO Klassik (Best Solo Album, 2015), and the Premio Franco Abbiati della Critica Musicale Italiana. In 2021, she released her new solo album\u00a0Songs for Maya<\/em><\/strong>, dedicated to the birth of her daughter. Produced by the legendary Russian label Melodiya, the album features 23 lullabies from around the world, personally selected and sung by Olga in their original languages.<\/p>\n Born in St. Petersburg, Olga Peretyatko began her musical training in the children\u2019s choir of the Mariinsky Theatre. After graduating from the Saint Petersburg Conservatory, she studied at the Hanns Eisler School of Music in Berlin, the Hamburg State Opera Studio, and the Accademia Rossiniana in Pesaro.<\/p>","protected":false},"excerpt":{"rendered":" Olga Peretyatko is one of the world\u2019s most sought-after sopranos. She achieved her international breakthrough in 2007 when she won second prize at Pl\u00e1cido Domingo\u2019s Operalia Competition. Since then, she has appeared at leading opera houses including the Metropolitan Opera, Covent Garden, La Scala, the Vienna State Opera, the Berlin State Opera, Teatro Real Madrid, the Gran Teatre del Liceu Barcelona, and the Op\u00e9ra Bastille Paris, as well as at renowned festivals in Salzburg, Baden-Baden, Aix-en-Provence, and Pesaro. In 2025, she was awarded the European Culture Prize in recognition of her outstanding artistic achievements.<\/p>\n The 2026\/27 season sees Olga Peretyatko return to La Scala as Le\u00efla in Bizet\u2019s Les P\u00eacheurs de perles. At the Deutsche Oper Berlin, she appears as Donna Anna in Mozart\u2019s Don Giovanni, and she sings Violetta in Verdi\u2019s La traviata at the Korea National Opera in Seoul. At the Philharmonie de Paris, she performs Leonora in a concert presentation of Verdi\u2019s Il trovatore with Le Cercle de l\u2019Harmonie under J\u00e9r\u00e9mie Rhorer. On the concert stage, she joins the City of Birmingham Symphony Orchestra under Kazuki Yamada for Britten\u2019s War Requiem at Coventry Cathedral, Bozar in Brussels, the Philharmonie Luxembourg and KKL Lucerne. Further highlights include Orff\u2019s Carmina Burana with the Neue Philharmonie Westfalen under Andreas Klippert at the Philharmonie Essen, a return to Bucharest for Rachmaninoff\u2019s The Bells, and a solo recital at Zurich Opera House.<\/p>\n","protected":false},"author":3,"featured_media":4196,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-soprano"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=259"}],"version-history":[{"count":25,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/259\/revisions"}],"predecessor-version":[{"id":13159,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/259\/revisions\/13159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/4196"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}