Olga Peretyatko is one of the most sought-after sopranos in the world. She achieved her international breakthrough in 2007 when she won second prize at Pl\u00e1cido Domingo’s Operalia competition. Since then, she has appeared at leading opera houses such as the Metropolitan Opera, Covent Garden, La Scala, the Vienna State Opera, the Berlin State Opera, the Teatro Real Madrid, the Gran Teatre del Liceu Barcelona, and the Op\u00e9ra Bastille Paris, and has performed at renowned festivals in Salzburg, Baden-Baden, Aix-en-Provence, and Pesaro. In 2025, she was awarded the European Culture Prize for her outstanding artistic work.<\/p>\n
The 2025\/26 season begins with Olga Peretyatko performing as Giulia in Rossini\u2019s lively comedy\u00a0La scala di seta<\/em><\/strong>\u00a0at the Zurich Opera House. Later, she appears there as Mica\u00ebla in Bizet\u2019s\u00a0Carmen<\/em><\/strong>. The season concludes with a concert at Neuschwanstein Castle, where she performs with the Munich Symphony Orchestra.<\/p>\n With her distinctive voice and radiant stage presence, Olga Peretyatko masters a versatile repertoire ranging from humorous coloratura roles to intense dramatic parts. Recent role debuts include Norma<\/em><\/strong> at the Hamburg State Opera, Mathilde in Rossini\u2019s\u00a0Guillaume Tell<\/em><\/strong>\u00a0in Tokyo, Elettra in Mozart\u2019s\u00a0Idomeneo<\/em><\/strong>\u00a0at the Berlin State Opera, and Margherita in Gounod\u2019s\u00a0Faust<\/em><\/strong>\u00a0in Hamburg. Other iconic roles in her repertoire are Violetta (La Traviata<\/em>), Gilda (Rigoletto<\/em><\/strong>), Fiorilla (Il turco in Italia<\/em><\/strong>), Leonora (Il Trovatore<\/em><\/strong>), Countess Almaviva (Le Nozze di Figaro<\/em><\/strong>), Donna Anna (Don Giovanni<\/em><\/strong>), Norina (Don Pasquale<\/em><\/strong>), and the title role in\u00a0Anna Bolena<\/em><\/strong>. She has also performed as Maria in Tchaikovsky\u2019s\u00a0Mazeppa<\/em><\/strong>\u00a0in Dmitri Tcherniakov\u2019s new production in Baden-Baden, portrayed\u00a0Lucrezia Borgia<\/em><\/strong>\u00a0in Bologna, and sang Li\u00f9 in Philipp St\u00f6lzl\u2019s\u00a0Turandot<\/em><\/strong>\u00a0at the Berlin State Opera. She achieved great success as the Nightingale in Stravinsky\u2019s opera\u00a0Le Rossignol<\/em>\u00a0(directed by Robert Lepage), as Marfa in Dmitri Tcherniakov\u2019s provocative production of\u00a0The Tsar\u2019s Bride<\/em><\/strong>\u00a0in Berlin and at La Scala, and as Le\u00efla in Wim Wenders\u2019 opera debut\u00a0Les P\u00eacheurs des Perles<\/em><\/strong>\u00a0under Daniel Barenboim.<\/p>\n As a celebrated concert singer, Olga Peretyatko regularly performs with renowned orchestras and conductors in prestigious concert halls worldwide, giving international song recitals. She sang Rachmaninoff\u2019s\u00a0The Bells<\/em><\/strong>\u00a0with the Orchestre de Paris at the Grande Salle Pierre Boulez in Paris, and presented a program with the Danish Chamber Orchestra under \u00c1d\u00e1m Fischer during the Mozart Week in Salzburg. She performed Strauss\u2019\u00a0Four Last Songs<\/em><\/strong>\u00a0at the Kennedy Center in Washington D.C. and on a China tour with the Orchestre Symphonique de Montr\u00e9al. In 2018, she celebrated her acclaimed solo recital debut at La Scala in Milan.<\/p>\n Olga Peretyatko has released six albums on Sony Classical and has received numerous prestigious awards, including the OPUS Klassik (2018), ECHO Klassik (Best Solo Album, 2015), and the Premio Franco Abbiati della Critica Musicale Italiana. In 2021, she released her new solo album\u00a0Songs for Maya<\/em><\/strong>, dedicated to the birth of her daughter. Produced by the legendary Russian label Melodiya, the album features 23 lullabies from around the world, personally selected and sung by Olga in their original languages.<\/p>\n Born in St. Petersburg, Olga Peretyatko began her musical training in the children\u2019s choir of the Mariinsky Theatre. After graduating from the Saint Petersburg Conservatory, she studied at the Hanns Eisler School of Music in Berlin, the Hamburg State Opera Studio, and the Accademia Rossiniana in Pesaro.<\/p>","protected":false},"excerpt":{"rendered":" Olga Peretyatko is one of the most sought-after sopranos in the world. She achieved her international breakthrough in 2007 when she won second prize at Pl\u00e1cido Domingo’s Operalia competition. Since then, she has appeared at leading opera houses such as the Metropolitan Opera, Covent Garden, La Scala, the Vienna State Opera, the Berlin State Opera, the Teatro Real Madrid, the Gran Teatre del Liceu Barcelona, and the Op\u00e9ra Bastille Paris, and has performed at renowned festivals in Salzburg, Baden-Baden, Aix-en-Provence, and Pesaro. In 2025, she was awarded the European Culture Prize for her outstanding artistic work.<\/p>\n The 2025\/26 season begins with Olga Peretyatko performing as Giulia in Rossini\u2019s lively comedy\u00a0La scala di seta\u00a0at the Zurich Opera House. Later, she appears there as Mica\u00ebla in Bizet\u2019s\u00a0Carmen. The season concludes with a concert at Neuschwanstein Castle, where she performs with the Munich Symphony Orchestra.<\/p>\n","protected":false},"author":3,"featured_media":4196,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-soprano"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=259"}],"version-history":[{"count":23,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/259\/revisions"}],"predecessor-version":[{"id":11094,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/259\/revisions\/11094"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/4196"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}