{"id":3753,"date":"2023-12-21T09:49:57","date_gmt":"2023-12-21T08:49:57","guid":{"rendered":"https:\/\/centrestagemanagement.com\/?p=3753"},"modified":"2023-12-21T09:49:57","modified_gmt":"2023-12-21T08:49:57","slug":"piotr-beczala-carmen-an-der-metropolitan-opera-in-new-york","status":"publish","type":"post","link":"https:\/\/centrestagemanagement.com\/en\/news\/piotr-beczala\/piotr-beczala-carmen-an-der-metropolitan-opera-in-new-york\/","title":{"rendered":"Piotr Becza\u0142a: Carmen at the Metropolitan Opera in New York"},"content":{"rendered":"<p>The Met begins the New Year with a vital new production of one of opera\u2019s most enduringly powerful works, Bizet&#8217;s Carmen. Piotr Becza\u0142a as Carmen\u2019s troubled lover Don\u202fJos\u00e9 shares the stage with young mezzo-soprano Aigul Akhmetshina as Carmen, with Angel Blue as Mica\u00ebla, and with bass-baritone Kyle Ketelsen as Escamillo. Daniele Rustioni conducts Bizet\u2019s heart-pounding score and acclaimed English director Carrie Cracknell makes her Met debut. Piotr Becza\u0142a&#8217;s performances are on December 31 and on January 3, 5, 9, 12, 16, 19, 23 and on 27, 2024.<\/p>\n<p>&nbsp;<\/p>\n<p>For more information please click <a href=\"https:\/\/www.metopera.org\/season\/2023-24-season\/carmen\/\"><strong>here<\/strong><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>The Met begins the New Year with a vital new production of one of opera\u2019s most enduringly powerful works, Bizet&#8217;s Carmen. Piotr Becza\u0142a as Carmen\u2019s troubled lover Don\u202fJos\u00e9 shares the stage with young mezzo-soprano Aigul Akhmetshina as Carmen, with Angel Blue as Mica\u00ebla, and with bass-baritone Kyle Ketelsen as Escamillo. Daniele Rustioni conducts Bizet\u2019s heart-pounding score and acclaimed English director Carrie Cracknell makes her Met debut. Piotr Becza\u0142a&#8217;s performances are on December 31 and on January 3, 5, 9, 12, 16, 19, 23 and on 27, 2024.<\/p>\n","protected":false},"author":4,"featured_media":3321,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-3753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piotr-beczala"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/3753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=3753"}],"version-history":[{"count":1,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/3753\/revisions"}],"predecessor-version":[{"id":3754,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/3753\/revisions\/3754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/3321"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=3753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=3753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=3753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}