{"id":4529,"date":"2024-05-13T14:39:15","date_gmt":"2024-05-13T12:39:15","guid":{"rendered":"https:\/\/centrestagemanagement.com\/?p=4529"},"modified":"2026-08-05T12:16:53","modified_gmt":"2026-08-05T10:16:53","slug":"granit-musliu","status":"publish","type":"post","link":"https:\/\/centrestagemanagement.com\/en\/artists\/tenor\/granit-musliu\/","title":{"rendered":"Granit Musliu"},"content":{"rendered":"<p>&#8221;&#8230;excellently focused, bronze-colored shining, expressive tenor&#8221;<\/p>\n<p>&#8211; S\u00fcddeutsche Zeitung<\/p>\n<p>Kosovar tenor Granit Musliu is among the most promising young singers of his generation. He received his vocal training at the University of Pristina and the Hochschule f\u00fcr Musik und Theater Hamburg. He is a former member of the opera studio at the Bayerische Staatsoper and has been a part of the ensemble since season 2024\/25, a tenure he continues through the 2026\/27 season.<\/p>\n<p>The 2026\/27 season brings major debuts for Musliu, highlighted by his house debut at the Berlin State Opera as Alfredo Germont in Verdi\u2019s <strong><em>La traviata<\/em><\/strong> under Giuseppe Mentuccia. He also makes his house and role debut at the Polish National Opera as Narraboth in Strauss\u2019 <em>Salome<\/em> in Claus Guth\u2019s production, conducted by Yoel Gamzou.<\/p>\n<p>At the Bayerische Staatsoper, he furthermore appears as Macduff in Verdi\u2019s <em>M<strong>acbeth<\/strong><\/em>, Alfred in <strong><em>Die Fledermaus<\/em><\/strong>, Edmondo in Puccini\u2019s <strong><em>Manon Lescaut<\/em><\/strong>, Matteo Borsa in <strong>Rigoletto<\/strong>, the Italian Singer in <strong><em>Der Rosenkavalier<\/em><\/strong>, and Rustighello in Donizetti\u2019s <strong><em>Lucrezia Borgia<\/em><\/strong>.<\/p>\n<p>Recent engagements include Musliu\u2019s debut at the Royal Danish Opera in Copenhagen as the Duke in Verdi\u2019s<strong> <em>Rigoletto<\/em><\/strong>, where he also appeared as the Italian Singer in <strong><em>Der Rosenkavalier.<\/em><\/strong><\/p>\n<p>At Staatsoper Hamburg, he made his house and role debut as Fenton in <strong><em>Falstaff<\/em><\/strong>. Further operatic highlights include his house debut as Cassio in <strong><em>Otello<\/em> <\/strong>at Semperoper Dresden, where he subsequently returned as Erster Edler in <strong><em>Lohengrin<\/em><\/strong>.<\/p>\n<p>On the concert stage, Musliu appeared with the Deutsche Rhein-Philharmonie in D\u00fcsseldorf and Duisburg in Mozart\u2019s <em>Requiem<\/em> and in Hannover in Mozart\u2019s <em>Mass in C minor<\/em>.<\/p>\n<p>At the Bayerische Staatsoper, Musliu has appeared in a wide range of roles and most recently made his role debut as Alfredo Germont in <strong><em>La traviata<\/em><\/strong><em>.<\/em> Further roles include Malcolm in <strong><em>Macbeth<\/em><\/strong>, Matteo Borsa in <strong><em>Rigoletto<\/em><\/strong>, Pong in <strong><em>Turandot<\/em><\/strong>, Rustighello and Jeppo Liverotto in <strong><em>Lucrezia Borgia<\/em><\/strong>, Alfred in <strong><em>Die Fledermaus<\/em><\/strong>, Edmondo in <strong><em>Manon Lescaut<\/em><\/strong>, Beppo in <strong><em>Pagliacci<\/em><\/strong>, Noble of Brabant in a new production of <strong><em>Lohengrin<\/em><\/strong>, Arturo in <strong><em>Lucia di Lammermoor <\/em><\/strong>in which he in 2022 stepped in at short notice alongside Nadine Sierra and Juan Diego Fl\u00f3rez, Rinuccio in <strong><em>Gianni Schicchi<\/em><\/strong>, Harry in <strong><em>La fanciulla del West<\/em>,<\/strong> Flavio in<strong> <em>Norma<\/em><\/strong>, Ruiz in <strong><em>Il trovatore<\/em><\/strong>, Festordner in a new production of <strong><em>Pique Dame<\/em><\/strong>, Adjutant in Dmitri Tcherniakov\u2019s production of Prokofiev\u2019s <strong><em>War and Peace<\/em><\/strong>, Ein Offizier in <strong><em>Ariadne auf Naxos<\/em><\/strong>, First Commissioner in <strong><em>Dialogues des Carm\u00e9lites<\/em> <\/strong>and Leibbojar in <strong><em>Boris Godunov<\/em><\/strong>.<\/p>\n<p>Granit Musliu has received a number of awards including the Grand Prix of the Ars Kosova Music Competition, 2nd prize in the 2020 Hamburg Mozart Prize and 2nd prize in the Jorgjia Truja Competition with an invitation to a masterclass with Anna Pirozzi.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00a9 CSAM, August 2026<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;&#8230;excellently focused, bronze-colored shining, expressive tenor&#8221;<\/p>\n<p>&#8211; S\u00fcddeutsche Zeitung<\/p>\n<p>Kosovar tenor Granit Musliu is among the most promising young singers of his generation. He received his vocal training at the University of Pristina and the Hochschule f\u00fcr Musik und Theater Hamburg. He is a former member of the opera studio at the Bayerische Staatsoper and has been a part of the ensemble since season 2024\/25, a tenure he continues through the 2026\/27 season.<\/p>\n<p>The 2026\/27 season brings major debuts for Musliu, highlighted by his house debut at the Berlin State Opera as Alfredo Germont in Verdi\u2019s La traviata under Giuseppe Mentuccia. He also makes his house and role debut at the Polish National Opera as Narraboth in Strauss\u2019 Salome in Claus Guth\u2019s production, conducted by Yoel Gamzou.<\/p>\n","protected":false},"author":4,"featured_media":10084,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-4529","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tenor"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/4529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=4529"}],"version-history":[{"count":27,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/4529\/revisions"}],"predecessor-version":[{"id":12602,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/4529\/revisions\/12602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/10084"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=4529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=4529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=4529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}