{"id":6268,"date":"2024-10-04T14:04:36","date_gmt":"2024-10-04T12:04:36","guid":{"rendered":"https:\/\/centrestagemanagement.com\/?p=6268"},"modified":"2024-10-04T14:04:36","modified_gmt":"2024-10-04T12:04:36","slug":"theodore-platt-le-nozze-di-figaro-im-opernhaus-kopenhagen","status":"publish","type":"post","link":"https:\/\/centrestagemanagement.com\/en\/news\/theodore-platt\/theodore-platt-le-nozze-di-figaro-im-opernhaus-kopenhagen\/","title":{"rendered":"Theodore Platt: Le nozze di Figaro in The Copenhagen Opera House"},"content":{"rendered":"<p><\/p>\n<div class=\"ewa-rteLine\">Theodore Platt makes his debut as a new ensemble member of the Copenhagen Opera House in Mozart&#8217;s &#8220;Le nozze di Figaro&#8221; on October 6, 2024, opening the 2024\/25 season and marking a significant milestone in his career. Platt performs the role of Count Almaviva under the baton of Nicholas McGegan and direction of Anne Barslev. This production represents Platt&#8217;s first engagement in his new capacity as he joins the national opera house&#8217;s ensemble for an exciting new chapter. The subsequent performances are scheduled for October 8, 13, 18, 23 and 26.<\/div>\n<div><\/div>\n<div class=\"ewa-rteLine\">For more information and tickets, please click <a href=\"https:\/\/kglteater.dk\/en\/whats-on\/season-20242025\/opera\/le-nozze-di-figaro\"><strong>here<\/strong><\/a><\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Theodore Platt makes his debut as a new ensemble member of the Copenhagen Opera House in Mozart&#8217;s &#8220;Le nozze di Figaro&#8221; on October 6, 2024, opening the 2024\/25 season and marking a significant milestone in his career. Platt performs the role of Count Almaviva under the baton of Nicholas McGegan and direction of Anne Barslev. This production represents Platt&#8217;s first engagement in his new capacity as he joins the national opera house&#8217;s ensemble for an exciting new chapter. The subsequent performances are scheduled for October 8, 13, 18, 23 and 26.<\/p>\n","protected":false},"author":4,"featured_media":6270,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[40],"tags":[],"class_list":["post-6268","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theodore-platt"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/6268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=6268"}],"version-history":[{"count":1,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/6268\/revisions"}],"predecessor-version":[{"id":6269,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/6268\/revisions\/6269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/6270"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=6268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=6268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=6268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}