Matthias Goerne, one of the world\u2019s foremost baritones, is acclaimed for his profound
\ninterpretations of opera and art song. He has performed at top houses including the
\nMetropolitan Opera, Royal Opera House, Paris National Opera, and Vienna State Opera, in
\nroles such as Wotan, Amfortas, Marke, Bluebeard, and Wozzeck. He collaborates with leading
\nconductors\u2014Simon Rattle, Kirill Petrenko, Gustavo Dudamel, Christoph Eschenbach, Franz
\nWelser-M\u00f6st, Herbert Blomstedt, Myung-Whun Chung, Fabio Luisi, Andris Nelsons, Manfred
\nHoneck, Jaap van Zweden, Daniel Harding, Alan Gilbert and Yannick N\u00e9zet-S\u00e9guin\u2014and
\nappears regularly with major orchestras and festivals.<\/p>\n
An acclaimed recording artist with numerous awards and five Grammy nominations,
\nGoerne is a member of the Royal Philharmonic Society. Expanding his artistic scope, he
\ndebuted as stage director in Salome in Toulouse. Recent highlights include a Schubert’s
\nsong cycle with Maria Jo\u00e3o Pires and Daniil Trifonov, performed across Europe, North
\nAmerica, Australia, and Asia, and the world premiere of J\u00f6rg Widmann\u2019s Schumannliebe.<\/p>\n
Goerne works with renowned pianists such as Pierre Laurent Aimard, Leif Ove Andsnes,
\nVladimir Ashkenasi, Alfred Brendel, Christoph Eschenbach, Markus Hinterh\u00e4user,
\nAlexandre Kantarov, Evgeny Kissin, Vikingur Olafson, Maria Joao Pires and Daniil Trifonov.
\nBorn in Weimar, he studied with Hans-Joachim Beyer, Elisabeth Schwarzkopf, and Dietrich
\nFischer-Dieskau.<\/p>\n
<\/p>\n
<\/p>\n
<\/p>","protected":false},"excerpt":{"rendered":"
Matthias Goerne, one of the world\u2019s foremost baritones, is acclaimed for his profound
\ninterpretations of opera and art song. He has performed at top houses including the
\nMetropolitan Opera, Royal Opera House, Paris National Opera, and Vienna State Opera, in
\nroles such as Wotan, Amfortas, Marke, Bluebeard, and Wozzeck. He collaborates with leading
\nconductors\u2014Simon Rattle, Kirill Petrenko, Gustavo Dudamel, Christoph Eschenbach, Franz
\nWelser-M\u00f6st, Herbert Blomstedt, Myung-Whun Chung, Fabio Luisi, Andris Nelsons, Manfred
\nHoneck, Jaap van Zweden, Daniel Harding, Alan Gilbert and Yannick N\u00e9zet-S\u00e9guin\u2014and
\nappears regularly with major orchestras and festivals.<\/p>\n","protected":false},"author":4,"featured_media":7476,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-7453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bariton"],"acf":[],"_links":{"self":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/7453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/comments?post=7453"}],"version-history":[{"count":14,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/7453\/revisions"}],"predecessor-version":[{"id":12876,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/posts\/7453\/revisions\/12876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media\/7476"}],"wp:attachment":[{"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/media?parent=7453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/categories?post=7453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrestagemanagement.com\/en\/wp-json\/wp\/v2\/tags?post=7453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}