Mezzo-soprano Emily D’Angelo returns to the Metropolitan Opera as Cherubino in Mozart’s Le Nozze di Figaro. The production by Richard Eyre is lead under the baton of Joana Mallwitz. D’Angelo shares the stage with Rosa Feola as Susanna, Jacquelyn Stucker as the countess and Luca Pisaroni in the role of Figaro. The opera can be […]
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Kathryn Lewek joins New Choral Society to perform Handel's Israel in Egypt in Scarsdale, NY on May 4, 2025.
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Elene Gvritishvili can be heard in Jürgen Rose’s production of Don Carlo at the Bayerishe Staatsoper. In the performances on May 4, 10 and 17, 2025, conducted by Zubin Mehta, Gvritishvili takes on the role of Tebaldo, Elisabeth’s page, with Erwin Schrott as Philipp II and Stephen Castello in the title role.
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On May 3rd mezzo-soprano Gaëlle Arquez sings the title role in a concert version of Gluck’s opera Iphigénie en Tauride together with the Balthasar-Neumann Choir and Orchestra and conductor Thomas Hengelbrock. Alongside Arquez one can hear Alexandre Duhamel as Thoas, Domen Križaj in the role of Orest, Paolo Fanaleas Pylades and Marianne Croux as Diana. The concert takes please at the Elbphilharmonie in Hamburg.
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Mezzo-soprano Judit Kutasi will take on the role of Amneris in Verdi's Aida at the Deutsche Oper Berlin. Performances are scheduled for May 3, 11, and 22, 2025. She will be joined by soprano Hulkar Sabirova as Aida and tenor SeokJong Baek as Radamès. The production is directed by Benedikt von Peter, with Paolo Arrivabeni conducting the orchestra.
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Baritone Thomas Hampson will join soprano Renée Fleming and mezzo-soprano Denyce Graves in a one-night-only performance of American Rhapsody at the Kennedy Center in Washington, D.C., on May 3, 2025. Conducted by Marin Alsop, the concert celebrates American composers and their works.
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Mezzo-soprano Gaëlle Arquez returns to the Opéra Royal of Versailles for a concert performance of Handel’s Alcina. Arquez takes the role of Ruggiero and is joined on stage by Lisette Oropesa in the title role. The concert takes place on April 29.
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The Russian-Swiss mezzo-soprano Nadezhda Karyazina, winner of the Herbert von Karajan Prize 2025, is "one of the most significant singers and performers of our time." (Frankfurter Allgemeine Zeitung). With a voice described by The Guardian as “resonant and strong at the top of her range, rich and potent in the contralto low notes”, the “outstanding” (Neue Zürcher Zeitung) singer made her triumphant debut as Marfa in Mussorgsky's Khovanshchina at the 2025 Salzburg Easter Festival, where she was the “star of the evening” (Austria Presse Agentur) and received rave reviews from press and audience alike. Karyazina opened the 2024/25 season as Marfa at the Helsinki Festival and the Baltic Sea Festival under Esa-Pekka Salonen in a concert production, before appearing at the Semperoper Dresden as Princess Clarisse in a new production of Prokofiev's The Love for Three Oranges.
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Centre Stage Artist Management is thrilled to announce that critically acclaimed Russian-Swiss mezzo-soprano Nadezhda Karyazina has joined the roster for general management. Nadezhda Karyazina, winner of the Herbert von Karajan Prize 2025, is "one of the most significant singers and performers of our time." (Frankfurter Allgemeine Zeitung). With a voice described by The Guardian as “resonant and strong at the top of her range, rich and potent in the contralto low notes”, the “outstanding” (Neue Zürcher Zeitung) singer made her triumphant debut as Marfa in Mussorgsky's Khovanshchina at the 2025 Salzburg Easter Festival, where she was the “star of the evening” (Austria Presse Agentur) and received rave reviews from press and audience alike.
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