On Februrary 19, soprano Emily Pogorelc makes her recital debut at the Terrace Theater (The Kennedy Center) in Washington D.C. Together with pianist Chris Reynolds she presents a program featuring songs by Hugo Wolf, Lili Boulanger and Joseph Schwantner.
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Keri-Lynn Wilson conducts two concerts in Parma and Cesena on February 17 and 18 together with the Filarmonica Arturo Toscanini. The soloist is pianist Ivo Pogorelich and they present a program with pieces from Aziza Sadikova, Rachmaninov and Prokofjew 5th Symphony.
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Javier Camarena returns to Opéra Bastille in Paris to sing the role of Edgar of Ravenswood in Donizetti's Lucia di Lammermoor. He can be seen on February 18, 21, 23, 26, 28 & on March 04, 07, 10.
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Sondra Radvanovsky returns to the Gran Teatre del Liceu in Barcelona to sing Lady Macbeth in Verdi’s masterpiece under the baton of Josep Pons. The performances take place on February 16, 19, 22, 25, 28.
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The young bass Amin Ahangaran goes on stage of Zurich Opera House performing the roles of Company Commander and Zaretsky in Barrie Kosky’s production of Eugene Onegin. Under the baton of Gianandrea Noseda, the production can be seen on February 10, 16, 19, 24 and March 1.
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Congratulations to Time for Three on winning the Grammy Award for Best Classical Instrumental Solo for “Letters for the Future” with The Philadelphia Orchestra and conductor Xian Zhang. The piece “Contact” by composer Kevin Puts is included in the album and also won a Grammy for Best Contemporary Classical Composition. Congratulations to everyone!
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Ildar Abdrazakov returns to Naples to sing Méphistophélès in the concert version of La damnation de Faust at Teatro di San Carlo. The famous bass goes on stage alongside John Osborn as Faust and Daniela Barcellona as Marguerite in the performances conducted by maestro Pinchas Steinberg on February 7, 10, 12 & 15.
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Gaëlle Arquez and Serena Sáenz go on stage of the Staatsoper Berlin to take part in Martin Kušej’s Carmen production conducted by maestro Bertrand de Billy. Gaëlle Arquez performs her signature role of Carmen and Serena Sáenz performs the role of Frasquita. Alongside Stanislas de Barbeyrac as Don José, they can be heard on February 5, 11, 17, 22, 26 & March 3.
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At Munich State Opera Hanna-Elisabeth Müller can be seen again in her acclaimed interpretation of Cordelia in Aribert Reimann's Lear. The Christoph Marthaler production will be musically led by Jukka-Pekka Saraste. Performances takes plance on January 30th and February 2nd and 5th 2023.
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