Tenor Piotr Beczala gives recitals together with pianist Helmut Deutsch on 5 June at the Opernhaus Zürich and on 8 June 2024 at the Vienna Konzerthaus. The programme includes works by Pyotr Tchaikovsky, Edvard Grieg, Mieczysław Karłowicz, Robert Schumann and Sergei Rachmaninoff.
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Olga Peretyatko sings on June 6 Carl Orff's Carmina Burana as part of the "Münsterplatzkonzerte" in Freiburg. The soprano shares the stage with baritone Markus Werba and tenor Roberto Gionfriddo as well as the Freiburg Philharmonic Orchestra under the direction of General Music Director André de Ridder together with the Freiburg Theatre Opera Choir, the Freiburg Theatre Children's and Youth Choir and the Camerata Vocale Freiburg.
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Soprano Hanna-Elisabeth Müller sings her debut with the New York Philharmonic Orchestra and performs Gustav Mahler’s 2. Symphony, also called the Resurrection Symphony, under the baton of their music director Jaap van Zweden. Müller is joined on stage by mezzo-soprano Ekaterina Gubanova and the New York Philharmonic Chorus. The concerts take place on June 6, 7 and 8 in the Wu Tsai Theater, David Geffen Hall.
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Serena Sáenz takes on her signature role of Pamina in a production of Magic Flute that opens on June 6 at the Palau de les Arts Reina Sofía in Valencia. Alongside Giovanni Sala as Tamino, she joins the production staged by Simon McBurney and conducted by James Gaffigan. Further performances can be seen on June 8, 12, 14, 17 & 19.
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George Gagnidze comes back to the Berlin State Opera in the role of the boyar Shaklovity in Mussorgsky’s Khovanshchina. The Claus Guth’s and Simone Young’s interpretation of the folk drama is presented by Mika Kares and Najmiddin Mavlyanov as Ivan and Andrey Chovansky and Stephan Rügamer as Prince Vasily Golitsin. The performances take place on June 2, 6, 9, 13, 16 and 23, 2024.
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The Campoamor Theatre welcomes Jonathan Tetelman, who performs at the Festival de Teatro Lírico Español in a lyrical gala with the soprano María José Moreno on June 1. Supported by the Oviedo Filarmomía and Lucas Macías, they unfold a program made up of preludes, arias, romances and duets from opera and zarzuela.
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Joseph Calleja sings Pollione in Norma under the musical direction of Gianluca Capuano at the Bayerische Staatsoper in Munich. The performances take place on May 30, June 2, 7, and 10, 2024.
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Sondra Radvanovsky returns to the Royal Opera House in London for David McVicar’s staging of Andrea Chénier where she sings Maddalena alongside Jonas Kaufmann, under the baton of Antonio Pappano. The performances take place on May 30 and June 2, 5, 8, 11, 2024.
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Edgardo Rocha returns to the Grand Théâtre de Genève in Donizetti’s Tudors Trilogy consisting of the three operas: Anna Bolena, Maria Stuarda and Roberto Devereux. The productions by Mariame Clément are performed under the musical direction of Stefano Montanari. Robert Devereux premieres on May 31 with Edgardo Rocha in the title role and Elsa Dresig as Elisabetta, Queen of England. The full trilogy can be experienced from June 18 to June 30.
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