Full Biography
Rising countertenor Cameron Shahbazi, praised for his “full, voluminous” voice and “personal and beautiful” timbre (De Trouw), is celebrated for his acclaimed interpretations of both baroque and contemporary music. In 2023, he was awarded the prestigious Opus Klassik Award in the ‘Innovative Concert of the Year’ category for his brainchild entitled “Woman.Life.Freedom.”, a benefit concert at Oper Frankfurt produced in support of human rights in Iran.
The 2025-26 season marks numerous exciting debuts for Cameron Shahbazi. The countertenor makes his much-anticipated house debut at the Palau de les Arts Reina Sofía in Valencia as Tolomeo in Handel’s Giulio Cesare, as role he later reprises in his company debut with the Deutsche Oper Berlin. Building on the great success of George Benjamin’s new opera Picture a day like this staged by Daniel Jeanneteau and Marie-Christine Soma, Shahbazi twice presents the acclaimed interpretation: at Teatro di San Carlo in Naples and at Oper Köln. Together with Orchestra Les Accents the countertenor takes the title role in Vivaldi’s Tamerlano at Auditorio Nacional de Música in Madrid and at Müpa Budapest. Further, Shahbazi makes his first appearance in South America at Teatro Municipal de Lima in Peru in Velasco’s La Púrpura de la Rosa, the first known opera composed and performed in the Americas. In recital with pianist Sophia Muñoz, Cameron Shahbazi presents his program Warsaw Sessions at Bayer Kultur in Leverkusen.
Highlights of Cameron Shahbazi’s recent seasons include his house debuts at the Gran Teatre del Liceu Barcelona as Tolomeo in Giulio Cesare in a production by Calixto Bieto, at the Vancouver Opera as The Refugee in Jonathan Dove’s Flight, and at the Royal Opera House in London where he debuted Hamor in Handel’s Jephta. He was heard as Tolomeo in Giulio Cesare in new productions at Glyndebourne Festival (David McVicar) and at Dutch National Opera (Calixto Bieto) in Amsterdam under the baton of Emmanuelle Haïm. Cameron Shahbazi made his company debut with the Bayerische Staatsoper in Munich as Anfinomo in Il ritorno/The Year of Magical Thinking, a new production of Monteverdi’s opera combined with text by renowned American writer Joan Didion. At Festival Aix-en-Provence, the countertenor was featured in the world premiere of Picture a Day Like This by George Benjamin. With this production he later made his house debut at the Linbury Theater in London, which was subsequently nominated for an Olivier Award. Further performances of Picture a Day Like This include: at the Opéra Comique in Paris, Opéra national du Rhin, and at the Grand Théâtre de Luxembourg. With short notice, Cameron Shahbazi jumped in as Tolomeo (Tolomeo, Re di Egitto) with the Basel Chamber Orchestra for two concerts at Amsterdam’s Concertgebouw and the Palau de la Música Catalana in Barcelona.
A sought-after concert performer, Shahbazi was heard as soloist in Carl Orff’s Carmina Burana with the Royal Stockholm Philharmonic, Pergolesi’s Stabat Mater with Orchestre de l’Opéra Royal in Versailles, and George Benjamin’s acclaimed Dream of the Song for countertenor and female chorus with the Gürzenich Orchestra in Cologne. Following the invitation to the Leipzig Bach Festival, the countertenor paid tribute to the genius composer in a grand open-air gala alongside Lang Lang, Daniel Hope, and the Gewandhausorchester Leipzig. He returned to his native Canada to sing Handel’s Messiah at Toronto’s Koerner Hall, and with the Orchestre National de Lille he performed George Benjamin’s Written on Skin in concert under the baton of Alexandre Bloch. The countertenor presented solo recitals under the auspices of Oper Frankfurt with pianist Malcolm Martineau and at the Paris Sainte Chapelle Opera Festival with pianist Jeff Cohen.
In season 24/25 Cameron Shahbazi and pianist Sophia Muñoz, presented Warsaw Sessions, a recital concept reinterpreting familiar and unfamiliar music in a journal-like setting, fusing musical styles and genres from Henry Purcell to Louis Armstrong complimented by baroque arias and Iranian melodies.
Further highlights include his debut at Oper Frankfurt as Oberon in a new production of A Midsummer Night’s Dream and his involvement at Internationale Handel-Festspiele Karlsruhe where he took on the title role in Tolomeo, re d’Egitto in a production by Benjamin Lazar. In 2021, Shahbazi gave his Russian debut as Tolomeo in Giulio Cesare with the Moscow Chamber Ensemble, conducted by Christopher Moulds. His portrayal of First Angel/Boy in George Benjamin’s opera Written on Skin at Oper Köln under François-Xavier Roth earned the countertenor unanimous critical acclaim. Also in Cologne, the countertenor sang Guildenstern in a new production of composer Brett Dean’s Hamlet under the baton of Duncan Ward. As an associate artist of the Dutch National Opera Studio in the 2019/20 season, he created the role of Sergey Diaghilev in Willem Jeth’s new opera Ritratto, which was one of The Guardian’s top picks of opera and classical concerts to watch during the first COVID-19 lockdown. Further performances include the role of Disinganno in Handel’s Il trionfo del Tempo e del Disinganno at Theater Aachen, and the title role in Cavalli’s Il Giasone for Opera NEO.
Cameron Shahbazi has received distinguished international honors such as the Sylva Gelber Award (2021), the Walter Prsytawski Prize (2021) and the Dame Kiri Te Kanawa Foundation Award (2019). He was a finalist at the 2019 Veronica Dunne International Singing Competition, was awarded the Royal Opera House Covent Garden Prize at the 2018 International Belvedere Competition, Second Prize at Innsbruck’s Cesti Competition in 2018, and top prizes at the 2017 Opéra Avignon Jeunes Espoirs Competition.
Hamilton-born, Shahbazi is an alumnus of the University of Toronto and Conservatorium van Amsterdam, and a grateful recipient of grants from the Jacqueline Desmarais Foundation and Staetshuys Fonds.
© CSAM GmbH, August 2025
