Mezzo-soprano Kate Lindsey performs Mahler’s Symphony No. 2 “Resurrection” with Pittsburgh Symphony Orchestra and Manfred Honeck. Composed for a massive orchestra, choir, and soloists, the piece is riveting from its darkly ferocious opening to its exhilarating, ecstatic finale. It can be heard at Heinz Hall on March 13, 14 and 15, 2026.
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Nadezhda Karyazina and Jonah Hoskins make their house debut at the Deutsche Oper Berlin in Rolando Villazón’s new production of L'Italiana in Algeri, premiering on March 8, 2026. Karyazina and Hoskins portray the reunited lovers Lindoro and Isabella respectively, alongside Tommaso Barea as Mustafa. The new production of Rossini’s bel canto masterpiece is set in an unnamed location in Latin America and features two competing Mexican-style wrestling clubs. Further performances take place on March 11, 14, 20, 28 and April 2.
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Baritone Yeongtaek Yang has rapidly emerged as one of the most promising young baritones of his generation. Acclaimed for “hearty” “stirring” and “stentorian” performances (Classical voice North America), he is distinguished by his refined musicianship, commanding stage presence, and exceptional artistic versatility. In the 2025-26 season, Yeongtaek Yang returns to the Metropolitan Opera for his second year in the prestigious Lindemann Young Artist Development Program, where he performs as Moralès in Carmen and Prince Yamadori in Madama Butterfly as well as covers Ping in Turandot and Roucher in Andrea Chénier. The baritone made a “confident and stylish” (New York Classical Review) Metropolitan Opera debut as Marullo in Rigoletto, led by Daniele Callegari, followed by a notable appearance as the Second Nazarene in the company’s critically acclaimed new production of Salome, under the baton of Met Music Director Yannick Nézet-Séguin. In spring 2026, Yang makes his Teatro Municipal de Santiago debut, singing Marcello in La bohème, and returns to the Santa Fe Opera as an Apprentice Artist in the summer. Further engagements include his company debut with the Dallas Opera as Chancellor (Ping) in Turandot, as well as a concert with the Philadelphia Chamber Music Society.
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Conductor Keri-Lynn Wilson leads the Orchestre National Bordeaux Aquitaine in two captivating concerts titled “Slavic Souls”. The program features Yevhen Stankovych’s Dnipro, Modest Mussorgsky’s Songs and Dances of Death performed by Ukrainian mezzo-soprano Olga Syniakova, and Dmitri Shostakovich’s Symphony No. 8, op. 65. Concerts take place at the Auditorium de Bordeaux on March 5 and […]
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Regula Mühlemann and pianist Tatiana Korsunskaya tour with their recital program featuring deep and touching songs by Schubert, Richard Strass, Argento and Bridge. The duo can be heard in Weiden on March 6, in Riehen on March 8, at the Brucknerhaus Linz on March, 10 in Boswil on March 15 and in Aarau on March 17.
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Judit Kutasi makes a role debut as Polina in a new production by Marie Lambert-Le Bihan of Tchaikovsky’s Pique Dame at the Opéra Royal de Wallonie-Liège. Giampaolo Bisanti conducts. The performances take place on February 27, March 1, 3, and 7, 2026.   Fore more information please cleck here  
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Theodore Platt sings Dr. Malatesta in Don Pasquale at the Royal Danish Opera in Copenhagen. The baritone then tours with the company, performing the role in Randers, Aarhus, Aalborg, Holstebro, Vejle, and Esbjerg.  
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Countertenor Cameron Shahbazi makes his highly anticipated house debut at Palau de les Arts Reina Sofía as Tolomeo in Händel’s Giulio Cesare in Egitto in Vincent Boussard’s production under the baton of Marc Minkowski. Shahbazi shares the stage with Aryeh Nussbaum Cohen as Giulio Cesare, Marina Monzó as Cleopatra and Sara Mingardo as Cornelia. Performances take place on February 28 and March 4, 8, 11, 13 2026.
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Mezzo-soprano Nadezhda Karyazina has been named “Newcomer of the Year” at the prestigious OPER! Awards, Germany’s only international opera prize, presented annually to outstanding artists of the international opera scene. This year’s ceremony took place at the Theater Regensburg. Karyazina’s award follows a remarkable season. At the Salzburg Easter Festival, she made a powerful impression […]
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