Through his uniquely compelling performances, Rolando Villazón has firmly established himself as one of the music world’s most critically acclaimed and beloved stars and as one of the leading artistic voices of our day. He is heralded as “the most charming of today’s divos” (The Times) with “a wonderfully virile voice…grandezza, elegance and power” (Süddeutsche Zeitung). In his third decade as a performer, Rolando Villazón’s versatility remains peerless. In addition to operatic superstardom, he maintains successful careers as a stage director, novelist, artistic director and TV/radio personality.
In the 2025-26 season, Rolando Villazón returns to the Vienna State Opera for his house debut as Pelléas in Marco Arturo Marelli’s production of Pelléas et Mélisande, conducted by Alain Altinoglu. The tenor then takes his portrayal of Eisenstein in Johann Strauss’ Die Fledermaus to the Bayerische Staatsoper Munich for performances conducted by Zubin Mehta. A season highlight is his directorial debut at New York’s Metropolitan Opera, staging a new production of La sonnambula. Further, Villazón directs new productions of Mozart’s Die Zauberflöte for the Salzburg Mozart Week Festival and Rossini’s L’Italiana in Algeri in a return to the Deutsche Oper Berlin.
Through his uniquely compelling performances, Rolando Villazón has firmly established himself as one of the music world’s most critically acclaimed and beloved stars and as one of the leading artistic voices of our day. He is heralded as “the most charming of today’s divos” (The Times) with “a wonderfully virile voice…grandezza, elegance and power” (Süddeutsche Zeitung). In his third decade as a performer, Rolando Villazón’s versatility remains peerless. In addition to operatic superstardom, he maintains successful careers as a stage director, novelist, artistic director and TV/radio personality.
In the 2025-26 season, Rolando Villazón returns to the Vienna State Opera for his house debut as Pelléas in Marco Arturo Marelli’s production of Pelléas et Mélisande, conducted by Alain Altinoglu. The tenor then takes his portrayal of Eisenstein in Johann Strauss’ Die Fledermaus to the Bayerische Staatsoper Munich for performances conducted by Zubin Mehta. A season highlight is his directorial debut at New York’s Metropolitan Opera, staging a new production of La sonnambula. Further, Villazón directs new productions of Mozart’s Die Zauberflöte for the Salzburg Mozart Week Festival and Rossini’s L’Italiana in Algeri in a return to the Deutsche Oper Berlin.
As the Artistic Director of the International Mozarteum Foundation, Villazón continues to curate the programmes for both season concerts and the internationally acclaimed Mozart Week Festival each January in Salzburg.
On the concert stage, Villazón celebrates Mozart’s 270th anniversary with a nine-city European tour alongside PRJCT Amsterdam and Maarten Engeltjes, bringing a programme of beloved Mozart arias to Zürich, Vienna, Munich, and Hamburg, among others. The tenor also reunites with lautten compagney BERLIN to present their programme Viaggio dell’anima in Fürth, Linz and Iserlohn, among others. Later in the season, Villazón appears with the Kammerakademie Potsdam and François Leleux in his inaugural season as music director and headlines a Zarzuela Gala directed by Christoph Loy at the Deutsche Oper Berlin. A highly sought-after recitalist, he can be heard with harpist Xavier di Maistre in Münster and Schloss Elmau, and in piano recitals in across Germany. Autumn 2025 brings the release of Villazón’s ninth album Orfeo son io, recorded with ensemble L’Arpeggiata and Christina Pluhar.
It was as the winner of several prizes at Plácido Domingo’s “Operalia” Competition in 1999 (including the audience award and the Zarzuela prize) that Rolando Villazón first burst onto the international music scene. He made his European debut that same year as Des Grieux in Massenet’s Manon in Genoa, swiftly followed by further debuts at the Opéra de Paris as Alfredo in La traviata and at the Staatsoper Berlin as Macduff in Macbeth.
Villazón went on to become one of the most sought-after performers of his generation, as highlighted by a string of highly successful debuts with Europe’s leading opera houses such as the Bayerische Staatsoper in Munich as Rodolfo in La bohème and the Vienna Staatsoper as Gounod’s Roméo. The tenor has since frequently returned to Vienna for performances as Massenet’s Werther, Nemorino in L’elisir d’amore, Des Grieux, the title role in Les contes d’Hoffmann, the Duke in Rigoletto, Alfredo in La traviata, Don Ottavio in Don Giovanni and Lensky in Eugene Onegin. Munich audiences have seen Rolando Villazón perform the title role in Gounod’s Faust, Alfredo, Roméo, the title role in a new production of Les contes d’Hoffmann, Werther and Robert F. Scott in the world premiere of Miroslav Srnka’s opera South Pole with the Bayerische Staatsoper, in addition to concert performances of La bohème at the Gasteig which were recorded by Deutsche Grammophon. At the Deutsche Oper Berlin he was heard in the title role of Verdi’s Don Carlo. In 2001, he made his debut at the Hamburg Staatsoper as Rodolfo in La bohème. In 2019 he returned to the Hanseatic city as Pelléas in the Willy Decker production of Debussy’s Pelléas et Mélisande. In 2023, Rolando Villazón starred in the title role of Monteverdi’s L’Orfeo in an acclaimed new production by Nikolaus Habjan at Semperoper Dresden and returned for sold-out revival performances in Dresden in 2024 and at the Mozart Week 2025. Also in 2023, he performed the role of Orfeo in a new production at Bayreuth Baroque Festival.
Rolando Villazón made his Salzburg Festival debut in 2005 with triumphant performances as Alfredo in a new production of La traviata alongside Anna Netrebko and Thomas Hampson. Deutsche Grammophon released both CD and DVD recordings of the production in 2005. In 2008, he returned for a new production of Roméo et Juliette which was broadcast live on television and recorded by Deutsche Grammophon for DVD release in 2009. In 2012, he made his acclaimed Mozart-debut at the Salzburg Festival, performing Alessandro in Il re pastore. He returned to Salzburg in 2013 for lauded performances in the title role of a new production of Mozart’s Lucio Silla, Mozart Matinee-performances conducted by Ivor Bolton in 2014, and was also heard in two sold-out solo recitals. In 2015 he made his acclaimed role debut as Pylade in Gluck’s Iphigenie en Tauride, and in 2017 he debuted the role of Lurcanio in Ariodante, both alongside Cecilia Bartoli. At the 2023 Salzburg Whitsun Festival, he added another role debut as Haydn’s Orfeo in L’anima del filosofo and returned to the 2024 festival to host and perform at a star-studded gala celebrating Plácido Domingo. Further acclaimed European festival appearances include Bregenz, Glyndebourne, Les Choregies d’Orange, Musikfest Bremen and Klara Festival Brussels.
Since his debut, Rolando Villazón frequently appears with the Staatsoper Berlin, often collaborating with Daniel Barenboim to great popular and critical acclaim. Highlights include his role debut as Don José in a new production of Carmen, as well as new productions of La traviata, Manon, Eugene Onegin, Bohuslav Martinů’s Juliette, Debussy’s Pelléas et Mélisande as well as one of his signature roles Nemorino in L’elisir d’amore and Don Ottavio in Don Giovanni. In the 2022/23 season, he made a celebrated role debut as Wagner’s Loge in the new production of Das Rheingold by Dmitry Tcherniakov, conducted by Christian Thielemann, a role he reprised in 2024. Continuing his relationship with the storied theatre, Villazón debuted there as the title character in Mozart’s Idomeneo in 2025. With the Opéra de Paris, audiences have seen him perform as Faust, La traviata, Les contes d’Hoffmann and Werther and most recently in a concert with Vienna Philharmonic at Palais Garnier in May 2025. The role of Hoffmann was also the vehicle for his triumphant debut at the Royal Opera, Covent Garden where he has since returned for performances of Lensky, the Duke, Rodolfo, Don Ottavio in Don Giovanni, as well as the title roles in Massenet’s Werther and in a new production of Don Carlo, both led by Sir Antonio Pappano. Rolando Villazón has further appeared with the Théâtre de la Monnaie in Brussels as Rodolfo and made his role debut as Don Carlo in a new production with Dutch National Opera conducted by Riccardo Chailly. He made his debut at the Gran Teatre del Liceu in Barcelona as Nemorino and returned for a new production of Manon alongside Natalie Dessay. Both Manon and Don Carlo have also been released on DVD. He gave his debut at Zurich Opera as Alfredo, returning for a new production of Il re pastore led by Sir William Christie and for performances of L’elisir d’amore. In 2010, he debuted with Teatro alla Scala as Nemorino in L’elisir d’amore and returned in 2014 to sing Ferrando in a new production of Così fan tutte conducted by Daniel Barenboim. In 2011, he made his role debut as Don Ottavio with the Festspielhaus Baden-Baden, followed by his role-debuts as Ferrando in Così fan tutte and Belmonte in Die Entführung aus dem Serail. In 2017, he debuted as Tito in La clemenza di Tito, all in concert performances recorded for CD-release conducted by Yannick Nézet-Séguin.
Since his acclaimed debut with the Metropolitan Opera New York as Alfredo, he has returned to star in performances as Verdi’s Duke, Rodolfo, Edgardo and in a sold-out Metropolitan Opera Pension Fund Gala Performance in April 2007. In 2013, Rolando Villazón made an acclaimed return to New York as Lensky in Eugene Onegin and returned in 2021 and 2023 as Papageno in Mozart’s The Magic Flute. A favorite with Los Angeles Opera since his debut in La traviata, the tenor has appeared in subsequent productions of Gianni Schicchi, Roméo et Juliette and Manon. In 2023, he made his Santa Fe Opera debut as Monteverdi’s L’Orfeo in a new production by Yuval Sharon, conducted by Harry Bicket.
In concert, Rolando Villazón has collaborated with leading orchestras and conductors on concert stages all over the world, including appearances at the Salzburg Mozart Week with the Vienna Philharmonic, and concerts at London’s Barbican and Royal Festival Halls, the Théâtre des Champs-Elysées, Salle Pleyel and the new Philharmonie in Paris, Berlin, Munich and Cologne Philharmonie, Festspielhaus Baden-Baden, Gewandhaus Leipzig, Academy of Santa Cecilia, Carnegie Hall New York as well as sold-out concerts in Miami, Vancouver, Tokyo, Toulouse, Monte Carlo, Moscow, St. Petersburg, Prague, Zurich, Rome, Athens, Istanbul, Madrid, Copenhagen and Helsinki, among others. To celebrate Giuseppe Verdi’s 200th anniversary, 2013 saw the tenor embark on a sold-out 15-city-tour featuring Verdi’s music. The concerts were heard by nearly 25,000 people across Europe. In 2014, he performed Mozart’s concert arias for tenor with the Basel Chamber Orchestra on a European tour which took him to Berlin, London, Paris, Dortmund, Prague and Vienna. In 2007, he gave his German recital debut performing Schumann’s Dichterliebe accompanied by Daniel Barenboim, a success repeated the following year also at Staatsoper Berlin. In 2014, the duo gave a recital at Milan’s Teatro alla Scala. Daniel Barenboim also led the tenor in the European premiere of Elliot Carter’s A Sunbeam’s Architecture in 2013, alongside the Staatskapelle Berlin. He joined the Staatskapelle Berlin for New Year’s concerts with a tango-themed program under the baton of Daniel Barenboim and a gala concert with arias from Zarzuelas led by Plácido Domingo at the Philharmonie Berlin. Together with pianist Gerold Huber, he appeared in recital at the Salzburg Festival and the Vienna Musikverein. His outdoor concerts with Plácido Domingo and Anna Netrebko at Berlin’s Waldbühne on the eve of the 2006 World Cup Final and at Vienna’s Schönbrunn Palace in advance of the 2008 Euro Championship Final were both televised live and seen by millions of people around the world. He sang an internationally broadcast open-air concert at Munich’s Odeonsplatz alongside Thomas Hampson and the Bavarian Radio Symphony Orchestra, conducted by Yannick Nézet-Séguin, who also led the gala concert which marked his Montreal debut. He frequently collaborates with Christina Pluhar and her Ensemble L’Arpeggiata: together they have appeared in for performances in Graz, Paris, Budapest, Lyon and Musikfest Bremen. With harpist Xavier de Maistre he created their programme “Serenata Latina” (released by Deutsche Grammophon in 2020) with performances at the Philharmonie de Paris, the Elbphilharmonie Hamburg, the Musikverein in Graz, Lincoln Center New York’s Alice Tully Hall, among others. With the Orchestre Philharmonique du Luxembourg, Rolando Villazón created the concert series “Rolando Raconte” at the Philharmonie Luxembourg and returned to sing an open-air gala concert for an audience of over 10,000 people in 2024.
In 2011, Rolando Villazón made his debut as a stage director with an acclaimed production of Massenet’s Werther with the Opéra Lyon. In 2012 he directed Donizetti’s L’elisir d’amore at the Festspielhaus Baden-Baden. In the same production, labeled a “double triumph” and broadcast on international TV in December 2012, he also sang the part of Nemorino. The production was later revived at Oper Leipzig. The 14/15 season saw Rolando Villazón directing three new productions: he made his debut at Vienna Volksoper where he directed Donizetti’s Viva la mamma and, in his directorial debut for Deutsche Oper Berlin, staged Puccini’s La rondine. He returned to Baden-Baden’s Festspielhaus to direct a new production of Verdi’s La traviata and directed an acclaimed production of Donizetti’s Don Pasquale for Deutsche Oper am Rhein Düsseldorf. He returned to the Deutsche Oper Berlin in 2017/18 to direct a new production of Strauss’s Die Fledermaus. In 2019, he made his directorial debut with the Staatsoper Dresden with a new production of Rameau’s Platée and directed a production of Bellini’s I puritani at the Deutsche Oper am Rhein in Düsseldorf. He directed Bellini’s La sonnambula at the Théâtre des Champs-Élysées in Paris and for Dresden’s Semperoper in 2023. By In 2022, he made his Salzburg Festival directing debut with a celebrated production of Il barbiere di Siviglia which was revived at Opéra de Monte Carlo in 2023.
Rolando Villazón’s vast discography includes a recital of Italian arias, a recital of arias by Gounod and Massenet, as well as an “Opera Recital”, all for EMI/Virgin Classics. The same label has also released recordings of Monteverdi’s Il combattimento di Tancredi and I Lamenti conducted by Emmanuelle Haim as well as a Zarzuela CD entitled “Gitano” led by Plácido Domingo. All recordings have won unanimous critical praise. DVD releases for EMI/Virgin Classics also include the Vienna State Opera production of L’elisir d’amore, and for Decca the Los Angeles Opera production of La traviata opposite Renée Fleming. Further releases on EMI/Virgin Classics include a recording of Verdi’s Requiem with the Academy of Santa Cecilia, conducted by Sir Antonio Pappano and a recording of Vivaldi’s Ercole led by Fabio Biondi.
In 2007, Rolando Villazón became an exclusive recording artist with Deutsche Grammophon, selling over 2 million albums worldwide with a catalogue including more than 20 CDs and DVDs which have received numerous prizes. His releases on the yellow label include a CD of operatic duets with soprano Anna Netrebko as well as both CD and DVD recordings of La traviata, recorded live at the Salzburg Festival. In 2006, La traviata garnered a Grammy nomination and both La traviata and “Duets” were awarded Echo Klassik Awards as Germany’s best-selling albums in 2006 and 2008 respectively. The tenor received a further Echo Klassik Award in 2007 for the DVD of the 2006 Waldbühne concert. 2008 saw his highly acclaimed first solo release with Deutsche Grammophon, an album of rare Italian arias entitled “Cielo e mar”. In 2009, he released a complete recording of Puccini’s La bohème in addition to an acclaimed album of Handel arias in collaboration with renowned specialists Paul McCreesh and his Gabrieli Players. His recording “Duets” claimed the top spot on the Billboard classical chart shortly after its release in the U.S., and in Europe set a record for the best debut ever for a classical album, climbing to the top of the pop charts in several countries. His recording, “México!”, featuring new arrangements of classical Mexican songs, was released on DG in September 2010 and was awarded with the Echo Klassik in 2011. In spring 2012 a critically acclaimed complete recording of Werther conducted by Sir Antonio Pappano was released, followed by complete recordings of Don Giovanni (also in 2012), Così fan tutte in 2013, of Die Entführung aus dem Serail in 2015 and of Le nozze di Figaro in 2016, the first four installments of a seven-part Mozart cycle conceived by the tenor and conductor Yannick Nézet-Seguin. On the occasion of Giuseppe Verdi’s 200th anniversary, Rolando Villazón released a recording of arias by the composer, conducted by Gianandrea Noseda. Early 2014 a recording of Mozart’s Concert Arias for tenor was released, recorded with the London Symphony Orchestra conducted by Sir Antonio Pappano. In October 2015, he released an album “Treasures of Bel Canto”, in 2017 followed a recording of operatic duets with bass Ildar Abdrazakov and the Orchestre Métropolitain de Montréal, conducted by Yannick Nézet-Séguin. In November 2018, his first Christmas album “Feliz Navidad” was released. In 2020 together with French harpist Xavier de Maistre he has recorded “Serenata Latina.” Each of his albums has a best-seller, earning gold and platinum status in Germany and Austria.
Rolando Villazón has been profiled in numerous international newspapers and magazines and featured on television shows such Germany’s Wetten, dass..? and Musical Showstar and the UK’s Royal Variety Show; he has been the subject of documentaries televised in Austria, Germany, the UK and France. In 2010 he became mentor and juror of the UK’s Pop Star to Opera Star, a role he repeated in the second series in 2011. He was regularly presenting TV-programmes for the BBC and ZDF, where he was the host of the Echo Klassik Gala as well as fronting numerous cultural programmes. For a decade, Rolando Villazón presented his own series “Stars von morgen” on Arte TV televised in France and Germany, and is a frequent guest both as mentor and juror on KiKa’s “Dein Song”. He hosts his own daily programme on Germany’s KlassikRadio and had a daily show on Radio Classique in France. In the fall of 2008 and throughout 2009, he starred in a feature film release of Puccini’s La bohème, directed by Oscar- and Emmy-nominated director Robert Dornhelm. In 2022, he co-starred in the German feature fantasy film “The Magic Flute – Das Vermächtnis der Zauberflöte” directed by Florian Sigl. Alongside Jack Wolfe, Iwan Rheon and F. Murray Abraham, Rolando Villazón plays the role of a fictive Opera star called Enrico Milanesi in Hollywood production “Cabrini” released in 2024. In 2013, Rolando Villazón’s debut novel “Malabares” was published in Spain. German and French translations of the novel have been published in 2014. His second novel “Paladas de sombra contra la oscuridad” (“Lebenskünstler”) was published in Germany in April 2017 and his third novel “Amadeus auf dem Fahrrad” was published in June 2020 and spent several weeks on the bestseller list of “Der Spiegel” magazine.
Born in Mexico City, he began his musical studies at the National Conservatory of his native country before becoming a member of the artist development programs at the Pittsburgh Opera and San Francisco Opera. Rolando Villazón is a Chévalier de l’Ordre des Arts et des Lettres, one of the highest awards in the field of art and literature in France, his country of permanent residence. He is also ambassador of RED NOSES Clowndoctors International and member of the Collège de Pataphysique de Paris. In early 2017, Rolando Villazón was appointed ambassador of the Salzburg Mozarteum Foundation. He is currently serving as the foundation’s artistic director.
